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Martial Arts Stretching - The Methods of Stretching That Will Make You Flexible Fast!

The proper knowledge of modern scientific stretching applications applied to a martial arts stretching routine can help the new martial artist achieve maximum flexibility, or allow the experienced martial artist to easily move up to the next level in a fraction of the time it used to take with traditional stretching methods.
There are several methods used for improving flexibility which should be incorporated into a martial arts stretching routine. Stretches are either static which means the stretch uses no motion to achieve extended flexibility or dynamic which means they use movement to increase the range of motion. There are several variations of these categories to be used to increase your flexibility and we will include an explanation of the primary methods.
Static-Passive Stretching

Static-Passive stretching (also referred to as relaxed stretching) uses the process of extending a muscle group to the maximum point of flexibility and holding this position until the muscle tension relaxes.
Ballistic Stretching
Ballistic stretching uses a rhythmic bouncing or bobbing motion, relying on the momentum of the moving limb or body part to forcibly move the concerned muscle group to a position beyond the normal limits of flexibility. Ballistic stretching can be dangerous and although it was once a popular method used by martial artists it is not recommended. The risk of injury far outweigh the potential for gains in flexibility using this technique.




Dynamic Stretching
Dynamic stretching involves moving a body part or limb in a controlled manner. Dynamic stretching is similar to ballistic stretching but does not use any bouncing or bobbing motions. Movements are typically performed using a full range of motion at near full speed and typically imitate specific motions used in the martial art itself. Examples of dynamic stretches are leg raises or arm swings beginning with slow controlled movements and quickly moving up to a full speed and range of motion.

Isometric Stretching
Isometric stretching is a form of static stretching which uses resistance or tension of the muscle groups being stretched. Isometric stretching increases the strength as well as the range of motion of the muscle groups being worked on and is much more effective than simple static or dynamic stretching for the modern martial artist.
PNF Stretching
PNF is short for proprioceptive neuromuscular facilitation and is the most effective and fastest method known to achieve maximum flexibility as part of a martial arts stretching regimen. PNF was initially developed by the American Neurologist Herman Kabat with physical therapists Margaret Knott and Dorothy Voss in the mid twentieth century as a treatment for paralysis in stroke patients. These techniques have been modified since the 1970's for effective use as a sports flexibility method. PNF stretching is a combination of passive stretching and isometric stretching methods to achieve maximum static flexibility.
The proper application of the stretching methods discussed can help the modern martial artist realize rapid increases in flexibility far beyond what could have been accomplished just a few years ago. With the knowledge of which method to incorporate into his or her martial arts stretching routine the modern martial artist can accomplish mastery of their art in a fraction of the time it used to take.
I invite you to use these methods to increase the benefit of your stretching routine
And I also invite you to visit MartialArtsStretching.com to complete your knowledge of the martial arts stretching methods, routines and applications needed to rapidly increase your flexibility to the point of performing full splits easily and mastering high kicks and effortless technique.
From Donald Borah - The Martial Arts Stretching Master and MartialArtsStretching.com.
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Yakusokugeko - The Proper Roles of Uke and Nage

Since Aikido is about avoiding struggle and performing a technique with the least amount of effort, we must consider our roles as both Uke and Nage.
As Nage, first and foremost, it is our responsibility to protect Uke. If there is resistance, if one is off balance or if the technique just is not going as it should, just relax, slow down and find your "way." Aikido is about power - an inner power - rather than force. Try not to force a technique. As Nage it is our responsibility to smoothly establish and maintain a connection with Uke throughout each technique.
As Uke it is our responsibility to provide a realistic attack (but not overly aggressive), and then move our bodies in relationship to Nage's movement so as to be in the safest position possible, while maintaining a sense of connection.
Grabs by Uke should be firm, but not rigid. The hand and wrist will be used to control whatever is being grabbed. The rest of the body should remain loose and able to adapt to the situation.




Strikes by Uke should have good extension, without locking out your own joints. Locking out joint can lead to injuries. Always try to keep some bend in the elbows, and give about 95% of your full energy. You do not want to over commit and not be able to react.
The loss of connection is an opportunity for either Uke or Nage to commence a new attack. Therefore, maintaining the connection is of the utmost importance.
Remember, you take ukemi to avoid injury only. Uke must be able to respond appropriately to the situation. This requires much training and introspection as how to do this best.
"Free of weakness ignore the sharp attacks of your enemies: Step in and act!"
- Morihei Ueshiba
Sean Hannon is a student at Castle Rock AIKIDO. http://www.craikido.com/
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